Our Newsletter
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Cappella Newcastle creates a newsletter periodically to keep our friends, supporters and followers up-to-date with the activities and events of the choir. It is delivered via our friends email mailing list.
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Below is a list of recent issues...
Cappella's 2023-24 Season
Thu, 24 Aug 2023Printable version
Cappella Newcastle present an exciting mix of music in their 2023-24 season. In the Autumn we share a programme entitled, “Dona nobis pacem; music for war, peace and reconciliation”, in the Spring we will perform Handel’s mighty Messiah and then next Summer we invite you to join us for a concert of music on the theme of air.
Our first concert takes place at St James's United Reformed Church on Saturday 18th November. This programme threads together the many elements of war; its horror and tragedy, but also the kinship which is born out of necessity. We will be joined by Alison Gill on piano and Robin Crinson who will perform Arthur Butterworth’s song cycle A Shropshire Lad. Both will also feature in Lili Boulanger’s Pour les funérailles d’un soldat, a rarely heard work which tells the story of a company of soldiers burying their captain. The concert will close with a call to hope in the form of the ending of J.S. Bach’s Mass in B minor, the “Dona nobis pacem”.
Soon after this concert, on Saturday 2nd December, we will be hosting a workshop to kickstart our Spring programme. Local singers are invited to join us for a session in which we will explore the Christmas section of the Handel’s Messiah in our rehearsal venue of St. James’ United Reformed Church in Newcastle. The workshop will conclude with an informal performance featuring young local soloists.
Our performance of Messiah will take place on Saturday 23rd March 2024 in the splendour of St. George’s Church, Jesmond. We will be performing this great work accompanied by full orchestra and it should be a wonderful occasion featuring young and upcoming soloists.
In the Summer term we are excited to be commissioning young local composer Lucy Walker to compose a piece on theme of air to tie in with our concert on Saturday 29th June 2024. Lucy hails from Sedgefield in County Durham and is currently the composer in residence at St. Martin-in-the-Fields church in London. This concert will include a performance of J.S. Bach’s motet, Der Geist hilft unser Schwachheit auf (BWV 226) as well as an extract from American composer Christopher Theofanidis’ …messages to myself…, the second movement which is entitled, “God picks up the reed-flute world and blows”.
We hope that you will join us as we tackle these varied programmes – there really is something for everyone! The choir is looking for new singers in all parts, but particularly bass and tenor so if you have ever considered auditioning for us, now is the time! Please do get in touch to find out more.
Our first concert takes place at St James's United Reformed Church on Saturday 18th November. This programme threads together the many elements of war; its horror and tragedy, but also the kinship which is born out of necessity. We will be joined by Alison Gill on piano and Robin Crinson who will perform Arthur Butterworth’s song cycle A Shropshire Lad. Both will also feature in Lili Boulanger’s Pour les funérailles d’un soldat, a rarely heard work which tells the story of a company of soldiers burying their captain. The concert will close with a call to hope in the form of the ending of J.S. Bach’s Mass in B minor, the “Dona nobis pacem”.
Soon after this concert, on Saturday 2nd December, we will be hosting a workshop to kickstart our Spring programme. Local singers are invited to join us for a session in which we will explore the Christmas section of the Handel’s Messiah in our rehearsal venue of St. James’ United Reformed Church in Newcastle. The workshop will conclude with an informal performance featuring young local soloists.
Our performance of Messiah will take place on Saturday 23rd March 2024 in the splendour of St. George’s Church, Jesmond. We will be performing this great work accompanied by full orchestra and it should be a wonderful occasion featuring young and upcoming soloists.
In the Summer term we are excited to be commissioning young local composer Lucy Walker to compose a piece on theme of air to tie in with our concert on Saturday 29th June 2024. Lucy hails from Sedgefield in County Durham and is currently the composer in residence at St. Martin-in-the-Fields church in London. This concert will include a performance of J.S. Bach’s motet, Der Geist hilft unser Schwachheit auf (BWV 226) as well as an extract from American composer Christopher Theofanidis’ …messages to myself…, the second movement which is entitled, “God picks up the reed-flute world and blows”.
We hope that you will join us as we tackle these varied programmes – there really is something for everyone! The choir is looking for new singers in all parts, but particularly bass and tenor so if you have ever considered auditioning for us, now is the time! Please do get in touch to find out more.
Cappella's End of Season Message
Sat, 24 Jun 2023Printable version
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Cappella Concert 10 June 2023: Crossing the Water
Wed, 10 May 2023Printable version
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Cappella Concert 25 March 2023: Festival of Byrd and Britten
Sun, 5 Feb 2023Printable version
Conductor: Simon Lee
with Caroline McCartney, Conducting Scholar
Organist: Joseph Beech
Viol Consort
Tickets are now on sale at https://www.cappellanewcastle.org.uk (will also be available on the door)
Full price £15; benefit recipients & students £5; 18s and under free;
**Early Bird reduction on full price tickets purchased online before 11 March**
Cappella Newcastle celebrates the 400th anniversary of the death of William Byrd (c.1540-1623) in a programme of some of his greatest choral works. In this concert, the flowing counterpoint and poignant harmonies of Byrd’s style will be paired with the extraordinary fluency of Britten’s compositional technique. Byrd was one of the most celebrated composers in the Renaissance period; his entire life was marked by contradictions, and he cannot be easily categorised. Benjamin Britten (1913-1976) was another great English composer: a giant of Twentieth Century music. He combined a balance of tradition and innovation in his work, enjoying much interest in his compositions since his death. Both of these composers lived through turbulent times, and their compositional output reflects this.
This sumptuous performance of Byrd’s music, some it with viols, will be a wonderful celebration of the 400th anniversary; this, with the addition of some of Britten’s works, some accompanied by organ, will make for a varied and entertaining evening. Join Cappella as we explore both the sacred and secular works of these celebrated composers. Highlights of the programme include Byrd’s ‘Ye Sacred Muses’ and ‘Laudibus in Sanctis’, and Britten’s Flower Songs.
This concert also marks an exciting new chapter for Cappella, as we welcome our new conducting scholar Caroline McCartney. Caroline recently graduated from Durham University and is studying for a Masters in consort singing at York University. Caroline says, “I have thoroughly enjoyed starting to learn some top-notch, challenging music with Cappella. We really hit the ground running at the start of term, navigating through some tricky corners of the Britten. I would like to extend my thanks to Simon and the choir for their warm welcome. I’m looking forward to the concert!”
with Caroline McCartney, Conducting Scholar
Organist: Joseph Beech
Viol Consort
Tickets are now on sale at https://www.cappellanewcastle.org.uk (will also be available on the door)
Full price £15; benefit recipients & students £5; 18s and under free;
**Early Bird reduction on full price tickets purchased online before 11 March**
Cappella Newcastle celebrates the 400th anniversary of the death of William Byrd (c.1540-1623) in a programme of some of his greatest choral works. In this concert, the flowing counterpoint and poignant harmonies of Byrd’s style will be paired with the extraordinary fluency of Britten’s compositional technique. Byrd was one of the most celebrated composers in the Renaissance period; his entire life was marked by contradictions, and he cannot be easily categorised. Benjamin Britten (1913-1976) was another great English composer: a giant of Twentieth Century music. He combined a balance of tradition and innovation in his work, enjoying much interest in his compositions since his death. Both of these composers lived through turbulent times, and their compositional output reflects this.
This sumptuous performance of Byrd’s music, some it with viols, will be a wonderful celebration of the 400th anniversary; this, with the addition of some of Britten’s works, some accompanied by organ, will make for a varied and entertaining evening. Join Cappella as we explore both the sacred and secular works of these celebrated composers. Highlights of the programme include Byrd’s ‘Ye Sacred Muses’ and ‘Laudibus in Sanctis’, and Britten’s Flower Songs.
This concert also marks an exciting new chapter for Cappella, as we welcome our new conducting scholar Caroline McCartney. Caroline recently graduated from Durham University and is studying for a Masters in consort singing at York University. Caroline says, “I have thoroughly enjoyed starting to learn some top-notch, challenging music with Cappella. We really hit the ground running at the start of term, navigating through some tricky corners of the Britten. I would like to extend my thanks to Simon and the choir for their warm welcome. I’m looking forward to the concert!”
Cappella's 2022-23 Season
Sun, 11 Sep 2022Printable version
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